The right-click and select New Terminal at Folder. First, locate the folder your files are in. The best thing is that I could easily batch process my files. While ExifTool lets you basically change anything embedded into your RAW file, I used it to just change the camera that was associated with the file. Because they still see it as that newer camera make, regardless of the file format. Which works great for Photoshop and Lightroom, but not so much for Topaz or DxO PureRAW. But it doesn’t change the file as a whole, and instead just converts it to a readable format by Adobe. If they aren’t supported by, say, Photoshop or Lightroom, you can use Adobe’s free DNG Converter tool to open the files to make adjustments. It can help get the optimal results of your files, as long as they’re supported. When your RAW files are read by software programs, it reads the embedded information in the file to obtain information about it. I was keeping it in the same camera brand - heck, I was changing it to a previous generation version of the camera I was using. In my case, it wasn’t like I was taking an Olympus RAW file and changing it to a Sony RAW file. The automated fixes I would sometimes rely on when in a hurry wouldn’t be reliable.īut I decided to try it anyway. By changing the camera in the EXIF data of the files, I was changing what I could ultimately do with the files. Luckily, I was able to figure out ExifTool’s commands pretty easily, and switch my a7 IV RAW files to be recognized as those from an a7 III camera. While I had used Terminal for a few basic commands in the past, it was a little beyond me at some level. He recommended I check out ExifTool, a command-line application created by Phil Harvey for macOS (and an executable file for Windows). I talked with Brett, our gear editor at Photofocus. Usually I would just wait for my camera files to be supported, or “live with it.” But when it came to client work, I couldn’t do that.
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